The novelty of the New Year wears off soon after returning to work. As I resume commuting from Leeton to Griffith, I’m reminded that it was immediately after the school holidays that I most felt like wagging.
The drive up Scenic Hill toward Pioneer Park Museum isn’t as blinding as it was a couple of months ago. The angle of the sun has changed so it no longer shines directly through the windscreen. As I park the car I can smell the chlorine evaporating from the water being sprinkled on the beautiful gardens. Local birds seem to know when the sprinklers are due to start. Apostle Birds and Grass Parrots can be seen showering outside the Italian Museum in the morning.
Last week when the temperature rose above 45 degrees there were many birds around the water tanks. Crested Pigeons were hanging around the tank by the working windmill, while next to ‘Fairview’ Cottage I saw a couple of Pardalotes diving into another tank. Up the hill were a mob of thirsty-looking Black Jays.
While 45 isn’t the hottest day Griffith has seen — a record 46 in 2001! — it’s a new experience for me. I still remember when it first got above 40 after moving to Wagga Wagga about a decade ago. Since moving to the Riverina it now doesn’t feel warm enough to swim until it gets to 30 degrees. Even then, if you’re swimming in the Murrumbidgee, it can still feel cool. Despite spending more than a week travelling down from the nearest dams, the ‘big waters’ of the ‘Bidgee feel like snowmelt until the creeks and channels allow the sunlight to better penetrate the murk as it flows into the MIA.
The landscape has paled under the summer sun but it doesn’t look like it’ll get to the point where it’s varying shades of beige, as it was during the drought last decade. The rain in the Western Riverina has been regular enough to ensure there are cracks of green weeds along the edges of paddocks and roads.
There are signs of optimism among farmers, if I’m not mistaken. The plumes of smoke seem to indicate preparations for the sowing of summer crops. While passing a blackened paddock last week I observed one farmer watering the power pole on the edge of his land while fires remove debris. It’s entertaining to think that he’s growing electrical infrastructure.
It’s not just smoke that means the dry air on the summer wind has lost the fragrant scents of spring. As the weather warms, the road melts and becomes shiny and smells like fresh bitumen. Hot wind has an effect of stealing my breath, a sensation that makes me wonder if this is how a vacuum would smell?
On the really hot mornings Cicadas make their shrill music from the trees. As I drive past there’s a Doppler effect as the screech reluctantly seems to pitch down, as though grasping to keep ahold of my ears. They are deafening in places, like down by the Murrumbidgee River or near the Peppermint Gums up the road from my house.
Cicadas are also among the Cyprus Pines at Pioneer Park, particularly behind the Irrigation Museum. That’s the spot where a feral Olive tree has grown under a big Grey Box. There are lots of olives growing in the Riverina and I think it’s a beaut analogy for the way other exports from the Mediterranean have thrived in the region.
Near the turn to Griffith there’s an old tractor outside a vineyard. For years it had a For Sale sign but now it seems to have blown away. I’m entertained to see this leads to a slew of photographs on Instagram as new arrivals of backpacker fruit-pickers seem to decide it’s a landmark or possibly public art.
A dead kangaroo near the railway crossing at Widgelli decomposes over the last fortnight. It goes from being bloated like a stuffed toy to being red raw and to being a flattened rug. Last week I disturbed winged scavengers, ranging from flies to a massive Wedge-tailed Eagle. It’s a contrast to the dead tortoise near the railway crossing on the Whitton Stock Route Road, whose shell remains as an outline on the dog-leg-like bend in the road under a sheen of rubber left by the tyres of turning trucks.
A little further along and there’s the Madonna of Mirrool Creek. She looks somewhat Italian, so she may be a resident of Griffith — where around half the population are from Italy or their parents were. She seems to be peering around a wattle and smiling toward someone in the scrub away from the road. It isn’t until you’re close enough to see a sparkle in her eyes and the red in her glass that one can read the text accompanying her on the billboard and learn that one in four glasses of Australian wine is produced in this region.
On the hot days before a change in the weather, I see the smoke rising in the distance as I drive down from Scenic Hill. There’s a mild but intent focus that follows. I can rationalise that it’s a paddock being cleared but the element of fire is a risk. One that is limited by the extensive clearing of the highly-flammable Cyprus Pine undertaken by earlier settlers like Alfred Hill in the late 19th Century. It was these straight trunks that he used to build ‘Fairview’ Cottage and the name is a description of the landscape he saw as he surveyed a fair view of the work before him.
As I survey Scenic Hill I see thickets of Cyprus Pine and then look at the smoking paddocks on the way home.
A river runs through me
My journey from birth to present isn’t very long and I haven’t travelled very far. My parents met in Canberra but both were born overseas, so I could claim to be a first-generation Australian.
I was born on the edge of the Molonglo River, near one of the corners of our nation’s capital’s parliamentary triangle. A hospital once stood on the peninsula between Commonwealth Avenue bridge and one of Lake Burley Griffin’s islands. That hospital was dramatically blown apart. The National Museum and a corresponding indigenous studies centre stand on the site now. It was a thrill for me at the turn of this century to be invited to play a DJ set in the foyer of the Museum, although the acoustics were terrible. Next I hope to make history there.
Looking south from the Museum you can almost see Scrivener Dam, named for the surveyor who has been characterised as “holding up” the vision Walter Burley Griffin had for Canberra. The American architect seems better placed for much of the blame here, as he’d arranged to work part-time on the city while undertaking private work — such as designing the towns of Leeton and Griffith, which are downstream in the Murrumbidgee Irrigation Area.
Some distance beyond Scrivener Dam is the Cotter Dam, where the river named for a banished former convict joins the Murrumbidgee. Last decade I felt surprisingly excited to meet a descendant of Garrett Cotter, when I visited his property near edge of the Snowy Mountains. I remember this Cotter had horses, at least he observed that if possession is nine-tenths of the law then the brumbies on his hilly land were his.
At university I went skinny dipping in the Cotter River with a descendant of Charles Throsby, who was one of the first white people to “discover” the Murrumbidgee River near where it now forms part of the border between New South Wales and the Australian Capital Territory. I’ve read that the River kept it’s indigenous name as a result of Throsby recording it in his journal ahead of sighting it for himself.
These rivers are landmarks but also part of my personal history. If the human body is around 60% water, then I must be predominantly Murrumbidgee as I have been drinking from it for most of my life.
The Molonglo River that flows into Lake Burley Griffin is tributary of the Murrumbidgee River, which in turn flows into the Murray and on to South Australia. After spending the first 27 years of my life in Canberra, I too flowed downstream. After drifting through group houses and university, I went to the country because I thought there would be better opportunities and I wasn’t wrong.
For nine years I drank the Murrumbidgee via the murky-tasting aquifer that supplies drinking water to the city of Wagga Wagga. They call it a city but, at around 40,000 people, it feels more like a country town — especially since my knowledge of country towns is informed by Canberra being described as one and it has over 300,000.
Nearly seven years ago I left Wagga for Leeton and continue to appreciate the heritage it shares with Canberra. The hill in Leeton isn’t anything like the mountains that form Canberra, but the interwar architecture and circling streets make it strangely familiar for me. This sense of deja vu continues now that I spend time working at a museum in Griffith, where Walter Burley Griffin had arguably a greater influence than his award-winning design for Canberra.
The Murrumbidgee Irrigation Area is like the national capital in capturing a whiff of the modern spirit that must have intoxicated Australians around the time of Federation. The ‘foodbowl’ of the Riverina produces a significant amount of exports, as well as local produce. Irrigation was a massive investment but one that ensured food security and allowed the population to grow.
In my identification with the landscape I find it exciting to consider the water of the Murrumbidgee is becoming part of so many others. It is mind-boggling to consider the value being grown with this resource. This is part of our common wealth since before the commonwealth began and, to quote another American, we’ve all passed a lot of water since then!
I was born on the edge of the Molonglo River, near one of the corners of our nation’s capital’s parliamentary triangle. A hospital once stood on the peninsula between Commonwealth Avenue bridge and one of Lake Burley Griffin’s islands. That hospital was dramatically blown apart. The National Museum and a corresponding indigenous studies centre stand on the site now. It was a thrill for me at the turn of this century to be invited to play a DJ set in the foyer of the Museum, although the acoustics were terrible. Next I hope to make history there.
Looking south from the Museum you can almost see Scrivener Dam, named for the surveyor who has been characterised as “holding up” the vision Walter Burley Griffin had for Canberra. The American architect seems better placed for much of the blame here, as he’d arranged to work part-time on the city while undertaking private work — such as designing the towns of Leeton and Griffith, which are downstream in the Murrumbidgee Irrigation Area.
Some distance beyond Scrivener Dam is the Cotter Dam, where the river named for a banished former convict joins the Murrumbidgee. Last decade I felt surprisingly excited to meet a descendant of Garrett Cotter, when I visited his property near edge of the Snowy Mountains. I remember this Cotter had horses, at least he observed that if possession is nine-tenths of the law then the brumbies on his hilly land were his.
At university I went skinny dipping in the Cotter River with a descendant of Charles Throsby, who was one of the first white people to “discover” the Murrumbidgee River near where it now forms part of the border between New South Wales and the Australian Capital Territory. I’ve read that the River kept it’s indigenous name as a result of Throsby recording it in his journal ahead of sighting it for himself.
These rivers are landmarks but also part of my personal history. If the human body is around 60% water, then I must be predominantly Murrumbidgee as I have been drinking from it for most of my life.
The Molonglo River that flows into Lake Burley Griffin is tributary of the Murrumbidgee River, which in turn flows into the Murray and on to South Australia. After spending the first 27 years of my life in Canberra, I too flowed downstream. After drifting through group houses and university, I went to the country because I thought there would be better opportunities and I wasn’t wrong.
For nine years I drank the Murrumbidgee via the murky-tasting aquifer that supplies drinking water to the city of Wagga Wagga. They call it a city but, at around 40,000 people, it feels more like a country town — especially since my knowledge of country towns is informed by Canberra being described as one and it has over 300,000.
Nearly seven years ago I left Wagga for Leeton and continue to appreciate the heritage it shares with Canberra. The hill in Leeton isn’t anything like the mountains that form Canberra, but the interwar architecture and circling streets make it strangely familiar for me. This sense of deja vu continues now that I spend time working at a museum in Griffith, where Walter Burley Griffin had arguably a greater influence than his award-winning design for Canberra.
The Murrumbidgee Irrigation Area is like the national capital in capturing a whiff of the modern spirit that must have intoxicated Australians around the time of Federation. The ‘foodbowl’ of the Riverina produces a significant amount of exports, as well as local produce. Irrigation was a massive investment but one that ensured food security and allowed the population to grow.
In my identification with the landscape I find it exciting to consider the water of the Murrumbidgee is becoming part of so many others. It is mind-boggling to consider the value being grown with this resource. This is part of our common wealth since before the commonwealth began and, to quote another American, we’ve all passed a lot of water since then!
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comment
Working with Matt Damon
This was an attempt at meeting a tight deadline that didn't meet expectations.
Personally I think it does an okay job of delivering a message in a semi-entertaining sorta way. I was asked to present a number of issues related to alchohol and young people, without a script or talent and had to improvise over one weekend.
Pressing question solved
See this bottle of wine? You can tell from the crust near the neck that it's a good one and it's been cellared.
It's a 2004 Cabernet from Northern Victoria and, yeah. it's good but not as good as the 2002 I've also been drinking.
Anyway, I've been drinking these wines for around 12 years and occasionally wondered about the image on the label. I'd imagine they were exotic buildings, perhaps temples.
Then the other day I looked at this grape press at Pioneer Park and that exotic image vanished.
It's a 2004 Cabernet from Northern Victoria and, yeah. it's good but not as good as the 2002 I've also been drinking.
Anyway, I've been drinking these wines for around 12 years and occasionally wondered about the image on the label. I'd imagine they were exotic buildings, perhaps temples.
Then the other day I looked at this grape press at Pioneer Park and that exotic image vanished.
Labels:
Pioneer Park,
wine
Is 'Fairview' a haunted house?
There are many stories at Pioneer Park Museum but I thought I'd share a recent one.'Fairview' cottage is the oldest of the buildings in the collection at the Museum. It was built by Alfred Hill in 1887 at 'Tabbita'. Working with his sons and a carpenter they used cyprus pine in the 'drop log' style using hand-fashioned nails.
The name 'Fairview' came from Alfred, who said there was a fair view of the work ahead of him when he looked out from the front porch. Presumably the landscape was covered in cyprus pine to clear, along with a few grey box trees too I'd guess.
Three of Alfred's eight unmarried sons lived most of their lives at the house, with the last dying in 1952. The building was brought to Griffith in 1969 with the Rotary Club numbering every piece of wood and reconstructing it on the site of the Museum, which opened in 1971.
The layout is a long corridor with bare uneven floorboards and rooms off to the sides before a bolted backdoor. It's lit though.
Last year when I began working at Pioneer Park, I explored each building and tested my intuition against what I later researched on these locations.
It seems my reaction wasn't alone. Many school kids visiting the Park believe it is haunted and, as I asked the volunteers and staff about their experiences, I heard stories of shadowy figures and tapping sounds.
Then last year I heard the story of a visiting psychic who claims to have seen a ghost at Pioneer Park. She described a large bearded man who was hanging around and, when led to 'Fairview', identified him as the eldest of the Hill children. James had lived at the house all his life, so in a way it makes sense that if his spirit were to hang about it would be here.
On the way to the cottage the psychic experienced breathing difficulties and asked if someone had drowned or suffered from asthma. It turned out that a son named Daniel died from pneumonia.
I like the stories, especially since this one freaks me out a bit. I'm going to enjoy scaring myself when closing the Park in cooler months when the sky darkens in the afternoon. The building provides an atmospheric glimpse into life in Australia.
Labels:
Pioneer Park
Woolies ice-cream
Normally I don't eat a lot of ice-cream but I bought some of this chocolate as a treat. It's a really satisfying chocolate flavour with a marbling of syrup through it. I enjoyed it so much as to want to try the other flavours. And that's when I came undone.
The vanilla flavour is nice with honeyed nuts but the salted caramel was irresistible. I ate half the tub one night and awoke from dreaming about it the next morning, when I finished it off and found it was all sold out at every Woolworths I could visit -- which isn't many.
It was half-price over the festive season, which makes me think that Woolies are using their inhouse brands to drive an improvement in their profits.
The vanilla flavour is nice with honeyed nuts but the salted caramel was irresistible. I ate half the tub one night and awoke from dreaming about it the next morning, when I finished it off and found it was all sold out at every Woolworths I could visit -- which isn't many.
It was half-price over the festive season, which makes me think that Woolies are using their inhouse brands to drive an improvement in their profits.
Labels:
random review
Make history with your story
Griffith Pioneer Park Museum invite you to put yourself into the bigger picture on Wednesday 20 January 2016, with the Museum Selfie Day.
Pioneer Park Museum Curator, Jason Richardson said Museum Selfie Day is aimed at encouraging visitors to take a self-portrait (selfie) at their local cultural institution.
"In 2015 a British blogger named Mar Dixon promoted the hashtag #museumselfie and it became a phenomenon on social media," said Mr Richardson.
"I think it's a great opportunity for people to explore photography, as well museums, and feel part of something much bigger - which taps into an emotional response that's central to the experience of studying history."
It's as simple as taking a photograph of yourself and using #museumselfie to ensure it reaches a wide audience on your platform of choice.
"Pioneer Park is on Facebook and Instagram and we'd love to see your photos, so please tag us when you post them," added Mr Richardson.
“The challenge is to find a location that provides context for your photograph. Obviously there are many fantastic buildings at Pioneer Park Museum and we hope that, while exploring for a great backdrop, you will learn about the history of Griffith and the Murrumbidgee Irrigation Area too."
With many activities to celebrate the centenary of Griffith planned at Pioneer Park during2016, this is an opportunity for residents and their visitors to share their creativity in interpreting the collection.
"Come and see some of the history of the region and show it to the world," said Mr Richardson.
Pioneer Park Museum Curator, Jason Richardson said Museum Selfie Day is aimed at encouraging visitors to take a self-portrait (selfie) at their local cultural institution.
"In 2015 a British blogger named Mar Dixon promoted the hashtag #museumselfie and it became a phenomenon on social media," said Mr Richardson.
"I think it's a great opportunity for people to explore photography, as well museums, and feel part of something much bigger - which taps into an emotional response that's central to the experience of studying history."
It's as simple as taking a photograph of yourself and using #museumselfie to ensure it reaches a wide audience on your platform of choice.
"Pioneer Park is on Facebook and Instagram and we'd love to see your photos, so please tag us when you post them," added Mr Richardson.
“The challenge is to find a location that provides context for your photograph. Obviously there are many fantastic buildings at Pioneer Park Museum and we hope that, while exploring for a great backdrop, you will learn about the history of Griffith and the Murrumbidgee Irrigation Area too."
With many activities to celebrate the centenary of Griffith planned at Pioneer Park during2016, this is an opportunity for residents and their visitors to share their creativity in interpreting the collection.
"Come and see some of the history of the region and show it to the world," said Mr Richardson.
Labels:
photography,
portfolio
Comparative mythology
This piece by Detritus Tabu for the Disquiet Junto this week is very funny and a beaut discussion of comparative mythology in how the conversation drifts from Christmas to Star Wars. Makes me wonder about the significance of the blockbuster openings at holiday times.
It's also a beaut for capturing one those conversations with kids where the sense of wonder and digression is surprising.
My response to the Junto was to accompany sounds from my neighbour's party with samples of festive music.
Labels:
compare/contrast,
parenting,
video
Cicadas
Visitors to Australia during summer will often ask the origin of the drone heard in bushland. Cicadas make a buzzing drone to attract a mate, after sometimes spending years buried as grubs.
Here's what a mature adult cicada looks like and here's the exoskeleton they leave behind during metamorphosis.
Earlier this year I offered my haiku poetry to Marco at Naviar Records and he selected a poem about cicadas.
I was stoked to hear musical interpretations, such as Lee Rosevere's, as well as improvising my own piece about the soundtrack to an Australian summer.
Labels:
compare/contrast,
my music,
my other blogs,
video
Oscar sings BitFinity
This year it was fun to start recording with Oscar. We recorded a few Smooth McGroove-style covers of videogame soundtracks and, yesterday, this video based on BitFinity's Waluigi-themed Carol of the Waa.
Haiku over screen door
My interests in music and poetry come together in different ways. Sometimes I write haiku and sometimes I write music responding to haiku and sometimes I write lyrics for songs, which I consider a form of poetry.
Last week I had an idea to write lyrics in the form of a haiku for a Junto project. It followed from a week where I'd written a haiku most days and my partner sang the verse for me, accompanying a melody played on the bass.
The Junto version (below) ended being a bit of a mess, but the remix (above) turned out good. Both use an old and previously unused recording of a screen door from another Junto.
Labels:
compare/contrast,
my music,
my other blogs,
poetry,
video
Level up
We're nearing the point of looking backward, so I thought I'd comment on a couple of things that changed for me in 2015.
In previous years I've felt somewhat dismissive about the funding of artists. It was an opinion that developed from conflict with people who felt their art was important because they got money from the government to make it.
I've never wanted to put myself in a position where something external to me determines the enjoyment I get from making music and the like, so I'd always taken the view that if I couldn't do it with the resources I had then I wouldn't do it.
Then, earlier this year, there was an opportunity to apply for funding for a project and that was successful. And, soon after, I was knocked back from attending a workshop and realised I could organise my own workshop if I sought funding.
This week I heard that this funding application to run the workshop in 2016 was successful, so I can see there's been a significant change in my attitude towards funding.
I think it's important since I will be looking to develop more funded projects through my role at Pioneer Park, which was another significant development for me this year.
In previous years I've felt somewhat dismissive about the funding of artists. It was an opinion that developed from conflict with people who felt their art was important because they got money from the government to make it.
I've never wanted to put myself in a position where something external to me determines the enjoyment I get from making music and the like, so I'd always taken the view that if I couldn't do it with the resources I had then I wouldn't do it.
Then, earlier this year, there was an opportunity to apply for funding for a project and that was successful. And, soon after, I was knocked back from attending a workshop and realised I could organise my own workshop if I sought funding.
This week I heard that this funding application to run the workshop in 2016 was successful, so I can see there's been a significant change in my attitude towards funding.
I think it's important since I will be looking to develop more funded projects through my role at Pioneer Park, which was another significant development for me this year.
Julie Montgarrett at Wagga Art Gallery
Julie Montgarrett's exhibition at the Wagga Art Gallery has many beautiful pieces lurking in the semi-darkened room, including the piece that reminds me of passing cars that was at the Grong Grong Creative House in 2013.
Review On Common Ground
Last October RealTime Arts asked I write about The Cad Factory's On Common Ground, an explosion of art in Narrandera's Common.
That review is now online and here are photos from the Saturday night performance of The Haunting and the sculptures on the Sunday. Please see the file names for artist and title details, cheers.













That review is now online and here are photos from the Saturday night performance of The Haunting and the sculptures on the Sunday. Please see the file names for artist and title details, cheers.













Labels:
photography,
portfolio
2015 on Bassling's Youtube
Excuse me but this is a quite a good collection of music videos, if I do write so myself. I'm pleased with the diversity of styles and instruments, as well as visuals since watching disembodied hands can start to feel a bit weird.
Not in my name
This haiku by Murakami Koji was shared by Naviar Records and was an opportunity to record a song I'd been thinking about since Easter.
The lyrics reflect on a sort of paternalism, linking the personal to the political:
When you see injustice
when you feel pain
when conflicted in a way
with feelings of shame
Don’t steal for me
Don’t kill for me
Not in my name
All it takes to acknowledge
and to step away
make it clear you are not at fault
take a step to clear your name
Don’t steal for me
Don’t kill for me
Not in my name
When your country claims a right
when your friend starts a fight
can not stand by unmoved
support inaction proves
The lyrics reflect on a sort of paternalism, linking the personal to the political:
When you see injustice
when you feel pain
when conflicted in a way
with feelings of shame
Don’t steal for me
Don’t kill for me
Not in my name
All it takes to acknowledge
and to step away
make it clear you are not at fault
take a step to clear your name
Don’t steal for me
Don’t kill for me
Not in my name
When your country claims a right
when your friend starts a fight
can not stand by unmoved
support inaction proves
Trans-Pacific Partnership favours US corporations
After years of secrecy Australians are now able to read the
text for the Trans-Pacific Partnership (TPP) agreement. One of the key
concerns for our democracy is the investor-state dispute settlement
(ISDS) mechanisms, which allow our country to be sued for policies that
harm foreign business interests.
Despite the claims of Andrew Robb, Minister for Trade and Investment, there is no exemption for public health from ISDS litigation. Article 9.15 of the investment chapter explicitly makes such matters dependent on their conformity with the TPP itself:
The result will be that corporations will pursue litigation and add to their statement of claims that the policy change they are seeking compensation for is inconsistent with the TPP.
Australian policy will be further limited by the annex on expropriation, meant as a guide to what can be the subject of ISDS processes:
The TPP is an assault on
Australian democracy. Once again I ask that our local member Michael
McCormack ensures that the Productivity Commission are able to review
and report on the text of this agreement in advance of it becoming law.
Despite the claims of Andrew Robb, Minister for Trade and Investment, there is no exemption for public health from ISDS litigation. Article 9.15 of the investment chapter explicitly makes such matters dependent on their conformity with the TPP itself:
"Nothing in this Chapter shall be construed to prevent a Party from adopting, maintaining or enforcing any measure otherwise consistent with this Chapter that it considers appropriate to ensure that investment activity in its territory is undertaken in a manner sensitive to environmental, health or other regulatory objectives."That is, unless Australian health regulations are consistent with the TPP, they can be subject to a lawsuit brought about by a multinational corporation under ISDS.
The result will be that corporations will pursue litigation and add to their statement of claims that the policy change they are seeking compensation for is inconsistent with the TPP.
Australian policy will be further limited by the annex on expropriation, meant as a guide to what can be the subject of ISDS processes:
"Non-discriminatory regulatory actions by a Party that are designed and applied to protect legitimate public welfare objectives, such as public health, safety and the environment, do not constitute indirect expropriations, except in rare circumstances."
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Scenic view in Griffith
Griffith’s Scenic Hill is a patch of bushland elevated above the city.
On my first visit I saw the Hermit’s Cave where Valerio Ricetti retreated from a society that had left him disillusioned. Not much remains of his solitary settlement but a cave that smells faintly of urine and a view of acres of citrus as well as encroaching suburbia.
The next time I saw Scenic Hill was from the air. A myriad of reddish dirt tracks cut through dark, sparse bushland.
More recently I’ve begun to drive up the Hill a few times a week to my new workplace at Pioneer Park Museum. After driving much of the way between Leeton and Griffith at 100 kilometres an hour, the winding roads through Griffith feel sluggish at 50.
While the distance between the last house on the Hill and the Park near the top is short, it’s not uncommon to see a kangaroo.
After parking my car under a Grey Box tree, I walk through the large iron gates and past the various historic and recreated buildings I can see more Box and Cyprus Pine. My arrival at 8am means I am usually alone in the car park. It allows me to remain in my own thoughts but also to look around and appreciate the landscape.
A month or so ago there was a complex fragrance on the soft breeze. The sweet of the geraniums in the Park gardens but a spice like anise too. I was excited to find native flowers, a Chocolate Lily and an Austral Bluebell as well as many Sticky Everlasting Daisies. There were also many feral Poppies adding a different shade of green, contrasting on the red dirt.
At present the rains of a wet winter and a wetter than usual spring have given the understory of weeds below these native trees a similar shade of green to the kikuya grass on the lawn outside Myall Park Hall, where many local festive occasions are celebrated — including the popular salami festival.
Last Monday there was a beautiful mist hanging in the trees, either low cloud or evaporation as the sun beamed onto the soaked Box bark. The rains this week revealed new stones in the unsealed road around the Park, as well as shifting red dirt down them toward drainage points.
One of the joys of arriving to work is hearing the local birds singing their morning songs. As Griffith is about as far west as I’ve travelled in New South Wales, these songs are often unfamiliar. There’s one that rings one note like an old telephone, the usual excited chirps of Sparrows and the bullying chatter of Apostle Birds.
The other sound is the wind-powered water pump groaning with each rotation. It’s a sound heard in my dreams soon after starting work here a couple of months ago. Some days I hear it long after I’ve driven down the Hill and through Griffith toward the turn to Leeton. I catch the drawn-out squeak echoing in my subconscious and force myself to listen to the sound of the car until it disappears.
On my first visit I saw the Hermit’s Cave where Valerio Ricetti retreated from a society that had left him disillusioned. Not much remains of his solitary settlement but a cave that smells faintly of urine and a view of acres of citrus as well as encroaching suburbia.
The next time I saw Scenic Hill was from the air. A myriad of reddish dirt tracks cut through dark, sparse bushland.
More recently I’ve begun to drive up the Hill a few times a week to my new workplace at Pioneer Park Museum. After driving much of the way between Leeton and Griffith at 100 kilometres an hour, the winding roads through Griffith feel sluggish at 50.
While the distance between the last house on the Hill and the Park near the top is short, it’s not uncommon to see a kangaroo.
After parking my car under a Grey Box tree, I walk through the large iron gates and past the various historic and recreated buildings I can see more Box and Cyprus Pine. My arrival at 8am means I am usually alone in the car park. It allows me to remain in my own thoughts but also to look around and appreciate the landscape.
A month or so ago there was a complex fragrance on the soft breeze. The sweet of the geraniums in the Park gardens but a spice like anise too. I was excited to find native flowers, a Chocolate Lily and an Austral Bluebell as well as many Sticky Everlasting Daisies. There were also many feral Poppies adding a different shade of green, contrasting on the red dirt.
At present the rains of a wet winter and a wetter than usual spring have given the understory of weeds below these native trees a similar shade of green to the kikuya grass on the lawn outside Myall Park Hall, where many local festive occasions are celebrated — including the popular salami festival.
Last Monday there was a beautiful mist hanging in the trees, either low cloud or evaporation as the sun beamed onto the soaked Box bark. The rains this week revealed new stones in the unsealed road around the Park, as well as shifting red dirt down them toward drainage points.
One of the joys of arriving to work is hearing the local birds singing their morning songs. As Griffith is about as far west as I’ve travelled in New South Wales, these songs are often unfamiliar. There’s one that rings one note like an old telephone, the usual excited chirps of Sparrows and the bullying chatter of Apostle Birds.
The other sound is the wind-powered water pump groaning with each rotation. It’s a sound heard in my dreams soon after starting work here a couple of months ago. Some days I hear it long after I’ve driven down the Hill and through Griffith toward the turn to Leeton. I catch the drawn-out squeak echoing in my subconscious and force myself to listen to the sound of the car until it disappears.
Labels:
ambience,
Pioneer Park
The Trans-Pacific Partnership is undemocratic
Seeing our local federal member promoting the value of the Trans-Pacific Partnership (TPP) raises the question why the text isn't available to the Australian public?
If it's so good for Australia, why has it been negotiated in secrecy -- unless you're a US corporation?
Australian politicians have only had access to a draft of the text if they sign a non-disclosure agreement. This is undemocratic in my opinion.
If Michael McCormack is so sure it's a good deal, how about he ensures the Productivity Commission are able to review the document in advance of it being voted on?
Those who watched as the US Free Trade Agreement was pushed through Parliament with undue haste will be watching to ensure the same process is not repeated. That agreement has been shown to have offered very little benefit to Australia.
If it's so good for Australia, why has it been negotiated in secrecy -- unless you're a US corporation?
Australian politicians have only had access to a draft of the text if they sign a non-disclosure agreement. This is undemocratic in my opinion.
If Michael McCormack is so sure it's a good deal, how about he ensures the Productivity Commission are able to review the document in advance of it being voted on?
Those who watched as the US Free Trade Agreement was pushed through Parliament with undue haste will be watching to ensure the same process is not repeated. That agreement has been shown to have offered very little benefit to Australia.
Labels:
comment
Tricks and treats this Halloween
Leeton’s Lillypilly Winery is teaming up with local musician Jason Richardson to host a Halloween party from 7pm on Saturday 31 October.
“It’ll be fun for all ages with creative pursuits, music and a spooky story,” said Mr Richardson.
“Traditionally it’s the time of year when spirits visit our world and Lillypilly are very kindly offering a complementary wine tasting for visiting adults, which should help raise spirits.”
The event will provide a venue for people who want to dress-up to mark the occasion.
“As a parent I know how much kids want to get into a costume and roam the streets in search of sugar. It got me thinking that it would be much better to provide an event where families could gather and share the thrill.”
Entertainment will include stories, hands-on activities, a movie and more.
“In previous years I’ve screened a silent movie in town as well as projecting my music videos and the film for this event will bring together both, with a silent film suitable for kids that I’ve created a soundtrack from music written and recorded in the last year or so.”
‘The Lost World’ is a classic film from 1925 that is based on a novel by Sir Arthur Conan Doyle, better known for writing the Sherlock Holmes stories. It’s remarkable for being the first feature to use stop-motion animation, as well as being the first film to be shown to airline passengers.
“I’m also looking forward to telling people about the troll that once lived in Leeton,” said Mr Richardson. “It’s a little-known fact that he was directly responsible for the creation of Fivebough Wetland.”
Learn more at Lillypilly Winery from 7pm on 31 October.
“It’ll be fun for all ages with creative pursuits, music and a spooky story,” said Mr Richardson.
“Traditionally it’s the time of year when spirits visit our world and Lillypilly are very kindly offering a complementary wine tasting for visiting adults, which should help raise spirits.”
The event will provide a venue for people who want to dress-up to mark the occasion.
“As a parent I know how much kids want to get into a costume and roam the streets in search of sugar. It got me thinking that it would be much better to provide an event where families could gather and share the thrill.”
Entertainment will include stories, hands-on activities, a movie and more.
“In previous years I’ve screened a silent movie in town as well as projecting my music videos and the film for this event will bring together both, with a silent film suitable for kids that I’ve created a soundtrack from music written and recorded in the last year or so.”
‘The Lost World’ is a classic film from 1925 that is based on a novel by Sir Arthur Conan Doyle, better known for writing the Sherlock Holmes stories. It’s remarkable for being the first feature to use stop-motion animation, as well as being the first film to be shown to airline passengers.
“I’m also looking forward to telling people about the troll that once lived in Leeton,” said Mr Richardson. “It’s a little-known fact that he was directly responsible for the creation of Fivebough Wetland.”
Learn more at Lillypilly Winery from 7pm on 31 October.
Burroughs adding machine
Over a century ago Burroughs were the biggest name in 'adding machines'. These days they're better known for the grandson of their inventor, author William S. Burroughs, who was one of the most "culturally influential and innovative artists of the 20th century".
The family fortune ensured he received a Harvard education but activities like heroin and homosexuality led him to associate with Beat Generation writers and '60s counterculture, while collaborations with bands like Nirvana showed his continuing influence up to his death in 1997.
The 'cut-up' technique made popular by Burroughs remains potent, with musicians like Beck and Radiohead using it to great effect. Pretty cool story for a calculator, hey? Gave me a thrill when I found one at Griffith Pioneer Park Museum.
The family fortune ensured he received a Harvard education but activities like heroin and homosexuality led him to associate with Beat Generation writers and '60s counterculture, while collaborations with bands like Nirvana showed his continuing influence up to his death in 1997.
The 'cut-up' technique made popular by Burroughs remains potent, with musicians like Beck and Radiohead using it to great effect. Pretty cool story for a calculator, hey? Gave me a thrill when I found one at Griffith Pioneer Park Museum.
Labels:
cut-up,
Pioneer Park,
poetry
The media could not be played
Given the fractious relationship that the previous prime minister had with ABC journalists, it seemed somehow ironic to see this message as the new PM approaches the end of his 'honeymoon' period.
Labels:
observation
Weddings across time
This week Pioneer Park hosted a wedding and I also helped Heather Waide install a new exhibition in the Roundhouse that features a wedding dress made for Jessie Hogarth (nee Mather) in 1958.
Griffith seamstress Myrtle Crockford of La Vogue worked without a pattern to create the dress, based on a photograph Jessie had from a newspaper.
Heather has contributed many hours to Pioneer Park over the years, including restoring a number of dresses that feature in the National Dress Registry.
It's been great learning about their restoration and conservation from her.
Griffith seamstress Myrtle Crockford of La Vogue worked without a pattern to create the dress, based on a photograph Jessie had from a newspaper.
Heather has contributed many hours to Pioneer Park over the years, including restoring a number of dresses that feature in the National Dress Registry.
It's been great learning about their restoration and conservation from her.
Peanut butter and jam muffin
This muffin is reputedly free from gluten and tolerant to vegans, as well as being gluttony inducing. I've had three this morning.
Pioneer Park
Started my new role as Curator at Pioneer Park in Griffith this week.
It's a fascinating museum with a diverse collection, including dozens of historic buildings that allow you to literally step back in time and a number of dresses on a national register. There's also an array of agricultural machinery, which underscores the incredible effort that went into building the Murrumbidgee Irrigation Area.
The site also features trees with scars from indigenous pioneers, such as this outline of material that was probably taken to build a canoe.
When I first visited the Park I had mixed feelings about some of the replica buildings. On one hand I could see they showed a perspective on the past, but on the other it seemed inauthentic to present a scaled-down version.
Then I heard the story about the first building brought to the site when the Park was started in 1971. Ray Rathbone brought his grandfather's home from Victoria, which includes an in-ground pantry and other features from pre-Federation Australia.
The house was built in 1872 and, nearly a century later, was carefully deconstructed and shipped piece-by-piece to be reconstructed on the hill above Griffith.
Vandals burnt it to the ground.
I'd imagine the loss of the first building for a proposed museum was a major blow. Yet the pioneers of Pioneer Park were not deterred.
Using the detailed notes kept by the removalists, they recreated the homestead.
The result is a replica of an old home and I think the story illustrates how the tone was set for Pioneer Park's presentation of the past.
I think I'm going to enjoy exploring this history and sharing the stories I learn.
It's a fascinating museum with a diverse collection, including dozens of historic buildings that allow you to literally step back in time and a number of dresses on a national register. There's also an array of agricultural machinery, which underscores the incredible effort that went into building the Murrumbidgee Irrigation Area.
The site also features trees with scars from indigenous pioneers, such as this outline of material that was probably taken to build a canoe.
When I first visited the Park I had mixed feelings about some of the replica buildings. On one hand I could see they showed a perspective on the past, but on the other it seemed inauthentic to present a scaled-down version.
Then I heard the story about the first building brought to the site when the Park was started in 1971. Ray Rathbone brought his grandfather's home from Victoria, which includes an in-ground pantry and other features from pre-Federation Australia.
The house was built in 1872 and, nearly a century later, was carefully deconstructed and shipped piece-by-piece to be reconstructed on the hill above Griffith.
Vandals burnt it to the ground.
I'd imagine the loss of the first building for a proposed museum was a major blow. Yet the pioneers of Pioneer Park were not deterred.
Using the detailed notes kept by the removalists, they recreated the homestead.
The result is a replica of an old home and I think the story illustrates how the tone was set for Pioneer Park's presentation of the past.
I think I'm going to enjoy exploring this history and sharing the stories I learn.
Labels:
Pioneer Park,
scar tree
This is not the validation you are looking for
Sometimes I end up on social media writing shit for attention. Those times I with I'd thought longer about those words.
I like the idea that 'a friend's eye is a good mirror' but their Facebook wall is not.
Labels:
Facebook,
life skill
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