Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

d'Arenberg Toilet Wine

Recently I read that Australian wine consumption has dropped around 25% in the last couple of decades

I mention this because it is unusual that I bought half a dozen bottles recently.

For me it's also unusual as I last bought wine for drinking, rather than cooking, about a decade ago.

Sometimes I'm drinking wine that I bought decades earlier, since I have been enjoying the benefits of cellaring bottles in cardboard boxes.

So, what prompted me to buy wine in 2026?

This also seems unusual because I was prompted by a Youtuber.

Bobby Fingers is a wry Irish artist who makes entertaining videos about building dioramas.

His interests extend to dabbling in a variety of media, such as the music that's often included in his videos, as well as a recent excursion into writing romantic fiction.

The most recent video shows the process of constructing a small scene discussed in the defamation proceedings between actors Johnny Depp and Amber Heard, which prompted Fingers to try making his own wine as part of research into Depp's fondness for fermented grape juice.
 


Since I've already shown the result of that digression from the detailed diorama, it's no spoiler to share that Bobby Fingers ended up in South Australia at one of the most highly-rated wineries.

One of my top five wine experiences was a 1998 d'Arenberg Footbolt shiraz and I still remember a eureka moment when it hit my tongue.

That taste was when I understood some of the wine terminology about vertical stacking of tannins, as the flavour was bold and seemed as though the taste continued to explode in my mouth after the wine had gone down my throat.

While the Bobby Fingers branded Toilet Wine is a decent drop, although a bit more expensive than what I normally drink because Australian wine is generally very good value for money and I'm cheap, I think d'Arenberg have done something that will be emulated for years to come.

The wine itself shows the same clever blending that I associated with the 1998 Footbolt in having a long-lasting taste, although it is surprising to me the flavour does not seem to be as decidedly fruit-focused as Australian wine is generally.

It might be that I'm so far out of the habit of drinking wine that I haven't noticed it before, or maybe d'Arenberg are making a conscious decision to aim for a more European sensibility since Mr Fingers is based in that part of world.

A clever aspect of this marketing-based product is the obvious affinity that Chester Osborn has with Bobby Fingers' art-making and I thought the suggestion that the Toilet Wine might actually contain fermented toilet was hilarious.

While I couldn't taste toilet in my glass, it's not something that I have much experience in discerning.

However, while Australian wines don't usually note the blends in detail on the labels unless it is more than a certain threshold, I thought it was also clever of Chester to link the role of malbec in the blend in the video.
 
It was memorable to compare the meaty taste of that grape to seared kangaroo. 

This is the kind of small, yet amusing consideration that could cultivate a broader audience for tasting the product and developing an interest that goes further.

At risk of being sentimental, it was sweet to have my appreciation for wine given another lesson from d'Arenberg.
 
They have produced a wine with Bobby that could have been ordinary, but instead they appear to have seized on an opportunity to reach an new audience and educate them a little in doing so -- which might be what this Australian industry needs in the longer term.

Zen Roo exhibition

I’m running a series of haiku workshops that will develop a collaborative project with Naviar Records and result with an exhibition in Griffith during May

The workshops begin on 27 February and we’re soliciting Japanese-style short poems (haiku, senryu, renga and tanka) to be considered for the exhibition.

See https://ree.org.au/stay-cool/ for details and links to the Facebook events.

A selection of the contributed poems will be shared with the Naviar community, who respond with music and soundscapes to haiku that are shared each week.

It’s really exciting to hear how the mood of a poem informs a piece of music and when I ran a similar project with Naviar in 2017 we ended up with over five hours of audio that became a rich soundtrack to the prose and photography.

If you feel like getting involved, join a Zoom workshop in coming weeks and we'll discuss the styles of poetry.

This project began with an exhibition that opened last weekend and I made this short video.

 

Grant-writing workshop

 

Shared tips to apply for the Country Art Support Program

Mix to remix

Recently I started experimenting with open-tunings and it has opened new musical ideas

In the past I found that replacing the low E string on the guitar with a D string from a bass held pitch better, and also that DADGAD was a lot of fun for riffing.

One time I settled on DDAE tuning, which was interesting as it switched around notes when picking arpeggios.

Anyway, this time I've gone for DGDGBD and really like the way it sits sorta between a guitar and a bass.

It was using that tuning that I started writing the song in the video at the top.

However, a recent Junto project asked for a remix and I thought it would be a good opportunity to revisit the song.

I knew there would be vocal performances that were close enough to layer together for the thick sound one gets through doubling.

The remix below worked from those pieces and added a 909 beat and a wubby bass part.

Griffith during WWII

June McGrane (30 June 1932 – 21 May 2021) shares details about life in Griffith when the second world war raged, 1939-45 

She remembers the trenches dug at the high school and air raid drills, as well as a bomb shelter built in the site now known as Memorial Gardens. 

One remarkable recollection is the concern of locals for the real possibility of an invasion by the Japanese after the bombing of Darwin, because there was only one place in Australia where they grew rice! 

June was a long-serving volunteer at Griffith Pioneer Park Museum, where this interview was filmed during February 2017.
 

Winding around the world

Wind organs are a simple instrument that struggle in a noisy world

I learned how to make them from the website of Didier Ferment, which seems to be no longer online.

His experiments included describing the results of variations, such as:

A slit of 8 cm by 10 mm produces a deep sound except when the wind picks-up and brings the sound one octave higher.
A slit of 11 cm by 9 mm gives a medium sound, relatively clear within a wide wind range as well in speed as in angle of attack.
A slit of 20 cm by 6 mm gives a shrill whistle but requires a very precise angle of attack of the wind.
A slit of 16 cm by 17 mm will deliver a hoarse sound.
The idea of repurposing a plastic vessel to make a spooky sound was one of those wonderful discoveries of the early internet.

It might've been 2008, as that's when I published my first recording (although it's a short and rough one, so be warned there's a lot of noise).

In 2020 I remembered the idea and thought it was worth sharing, so I made this instructional video.

One of the great things about sharing one's enthusiasms is getting that enthusiasm back again.

In recent weeks I've had a couple of comments on my instructional video from Ronald and have enjoyed seeing his creations.

Christopher Haworth Strictly Plein Air

Looking forward to seeing Christopher Haworth's solo exhibition

He's a plein air painter who spends a lot of time in the Riverina landscape, which leads to many observations about regional life.

The video above shares some of his creative practise and was part of the Ngurrambang exhibition that I curated at Griffith Regional Art Gallery, where he's now holding his first solo show.

Collaborations

Music has always been the key requirement for membership of an online colony, along with English for me

The earliest was the Ninja Tune forum that introduced so many remixing techniques, which continues in the Shinobi Cuts Remix Chain albums.

In the last month I've had a couple of collaborations with my online communities, particularly the Disquiet Junto. The prompt to compose with a 29/16 time signature arose from a conversation with Oscar about the Mother 3 video game.

That led to two tracks and the second became a soundtrack for a walk-through the Marea Bright exhibition at the Museum of the Riverina.

 

 

Naviar Records shared my senryu this week and it led me to filter the noise from a South Coast video.

Night At The Museum

Griffith Pioneer Park Museum's first night time event in living memory was an explosion of colour

Projection artists worked alongside a cohort of local students to develop the Night At The Museum event with Riverina-based arts organisation Red Earth Ecology and visitors the Bioluminescence Project. 

The Museum's historic and replica buildings were bathed in large-scale animations with a variety of styles and materials. 

Locals Andrew Keith and Bernard Gray were joined by regional artists Jason Richardson and Greg Pritchard. 

Scott Baker returned to Griffith to run workshops in video projection-mapping and digital file manipulation. 

The group of eight also learned skills in design and event management for the public outcome on Saturday night. 

An audience of over 160 people from all ages attended and were able to appreciate the diversity of projection art techniques. 

Mr Gray was demonstrating live-coding, while Dr Pritchard showed material from his project recording the Murrumbidgee River. 

"It was beautiful to see Greg brought the River to the old Baptist Church building," said Jason Richardson, event coordinator and Museum Curator. 

"Scott and I were also happy to be joined by Andrew Keith, who attended the first projection-mapping workshop that we ran in Griffith back in 2016." 

The opportunities for night time events at the Museum offers a range of possibilities at a venue traditionally used during the day. 

"The buildings provide a wonderful environment and we'd love to see Griffith continue to host showcases for projection art in the region," said Mr Richardson.

Night At The Museum was supported by Griffith Pioneer Park Museum, Red Earth Ecology, Western Riverina Arts and Create NSW through funding from the NSW Government.

Birdlife at the Museum

One of the things that surprises me most about working in Griffith is the variety of birds

As someone who grew up among the Brindabellas, there's a deep sense of satisfaction about seeing the hills rise around me on the drive to work.

It starts with three gentle crests along Irrigation Way after one turns north past Whitton.

Scenic Hill is another of these increasing landmarks and from there I can see they become mountains like Binya, Bingar and Brogden in the nearby Cocoparra National Park.

Griffith Pioneer Park Museum's grounds on the Hill feature a mix of older grey box trees and younger cypress pines, which provide shade for the gardens maintained by a group of volunteers.

On these branches and among the flower beds I get glimpses of communities of birds.

There's a family of magpies and over recent months I've watched as they teach an offspring to be wary of me.

Mallee ringneck parrots have also been breeding and they used a hollow in the grey box near the Goolgowi Train Station for a while.

Earlier this year I observed a parent showing their bird where to find a meal from a succulent, which might've been a pigface.

In previous years a college of noisy apostle birds could be heard making a mess by tearing off plant limbs.

This season might be the first that the Museum has been visited by white-browed babblers.

My manager Jenny reckons she'd never seen them at Pioneer Park before and it was good to have assistance from Jo and her bird books to identify them.

These babblers seem to share their call with the grey-crowned variety, which Wikipedia notes has earned them names like dog-bird, barker and barking-bird.

They will share a cute "ruff" sound excitedly with each other, so I found myself describing it as a canine-esque noise.

You can hear it in this short video I made when a babbler got lost in the Wine & Irrigation Museum building 
 

Another recent observation was a trio of tawny frogmouths sitting in a cypress pine near the Griffith Hospital building.

It's great to see such a variety of birds and so different to those at home in Leeton, although I'm often frustrated by my inability to get a good photo using the mobile phone supplied by Council.

However, this iphone has been great for recording my duets with pied butcherbirds.
 


You can see more of my photos at https://shotwildlife.blogspot.com/

 

Birdsong

 

One of the fun things about working in an open-air museum is the opportunity to be outdoors

I get to observe the changing seasons through shadows playing on fog, deafening cicadas, the puffs of pine spores and the songs of birds.

I've started a playlist for my favourite avian videos, see here.

Railway Hotel

 

Just got home from a residency at the Railway Hotel in Stuart Town

While I was there I heard this birdsong that I couldn't place, so I made a song to remind myself and to show some of my creative practice. 

There's also The Zine from Iron Bark that I made showing photos and poems from my stay.

Chris Orchard profile

Chris Orchard is a multimedia artist who features in the exhibition Ngurambang (Our Riverina) at Griffith Regional Art Gallery from 1 July to 20 August 2023. 

This video was supported by Western Riverina Arts and Create NSW through funding from the NSW Government.

Marita Macklin profile

 

Marita is a textile artist who features in the Exhibition | Ngurambang: Our Riverina at Griffith Regional Art Gallery from 1 July to 20 August 2023. 

Follow Marita Macklin Bespoke Embroidery to see her work. 

This video was supported by Western Riverina Arts and Create NSW through funding from the NSW Government.

Dr Greg Pritchard

 

Greg is a multi-disciplinary artist who features in the exhibition Ngurambang (Our Riverina) at Griffith Regional Art Gallery from 1 July to 20 August 2023. 

This video was supported by Western Riverina Arts and Create NSW through funding from the NSW Government.

Kerri Weymouth profile

 

Kerri Weymouth discusses her contribution to the Ngurambang (Our Riverina) exhibition at Griffith Regional Art Gallery from 1 July to 20 August 2023. 

This video was supported by Western Riverina Arts and Create NSW through funding from the NSW Government.

Christopher Haworth profile

 

Christopher Haworth is a plein-air painter from Talimba who features in the exhibition Ngurambang (Our Riverina) at Griffith Regional Art Gallery. 

This video was supported by Western Riverina Arts and Create NSW through funding from the NSW Government.

Penny Paniz

Penny Paniz made art by many names and was central to the creation of the Leeton Art Society and Western Riverina Arts.

A couple of years ago I was commissioned to produce this portrait of her to accompany the exhibition held annually in Penny's name.

After delays it's now a permanent feature at the Leeton Museum and Gallery.

Avant gardening

Here I am performing poetry “with an avant garde twist”

It involved remixing one of the poems in the book being launched, by using the cut-up technique.

I recorded this version of the piece the following day:

Photo by Neil McAliece.