Showing posts with label Ngurambang. Show all posts
Showing posts with label Ngurambang. Show all posts

Artist talk

The closing of the Ngurambang exhibition was a chance to hear from the artists involved

Peita Vincent took this photo as I discussed how my work in natural resource management inspired a prize-winning photograph.

Comments about the exhibition

My partner encouraged me to look inside the visitor book at the gallery and there was a comment that singled out one of my artworks!

Chris Orchard profile

Chris Orchard is a multimedia artist who features in the exhibition Ngurambang (Our Riverina) at Griffith Regional Art Gallery from 1 July to 20 August 2023. 

This video was supported by Western Riverina Arts and Create NSW through funding from the NSW Government.

Marita Macklin profile

 

Marita is a textile artist who features in the Exhibition | Ngurambang: Our Riverina at Griffith Regional Art Gallery from 1 July to 20 August 2023. 

Follow Marita Macklin Bespoke Embroidery to see her work. 

This video was supported by Western Riverina Arts and Create NSW through funding from the NSW Government.

Kerri Weymouth profile

 

Kerri Weymouth discusses her contribution to the Ngurambang (Our Riverina) exhibition at Griffith Regional Art Gallery from 1 July to 20 August 2023. 

This video was supported by Western Riverina Arts and Create NSW through funding from the NSW Government.

Christopher Haworth profile

 

Christopher Haworth is a plein-air painter from Talimba who features in the exhibition Ngurambang (Our Riverina) at Griffith Regional Art Gallery. 

This video was supported by Western Riverina Arts and Create NSW through funding from the NSW Government.

Return to portals

This is one of those Saturn Returns stories and begins with a dream in 2016

I had begun work as a curator and fell into a swine flu fever.

There was one sleep where I was walking among River Red Gums and saw human-shaped scars on the trunks, then realised people had gone through these doorways.

About a month later I saw this painting by Veronica Collins at Griffith Regional Art Gallery called 'Through the Port Holes' and spoke with Ray Wholohan about inviting her to be part of an exhibition.

We spoke about the theme of relationships to the Riverina and she sent a letter of support.

When I told her about my dream, she laughed and said "You've been visiting my world."

It was thrilling to see her painting hanging in the Ngurambang exhibition and I hope it's the first thing you'll see when you enter the Gallery, from Wednesdays to Sundays until 20 August.

Jo will share insights at Griffith Gallery

Griffith Regional Art Gallery will host artist Jo Roberts during the Ngurambang exhibition, who will offer a school holiday activity during the opening weeks

Jo Roberts is an emerging artist based in Leeton and this exhibition will be the first time her art has appeared in the Gallery.

Her enthusiasm for the opportunity is clearly evident in the time and preparations she is planning as part of the Ngurambang exhibition.

"I've been working on a series of activities for all ages and it will be good to bring these to Griffith's gallery," said Ms Roberts.

On Wednesday mornings during the school holidays Jo will be sharing the Beak Technique activity developed by Red Earth Ecology.

This activity promotes an understanding of the relationships between habitat and bird diets by discussing different species and their beak shapes.

"We'll be looking at the local species to learn what plants will bring your favourite birds into your backyard."

The worksheets are accessible to all ages and were developed through consultation with the Murrumbidgee Field Naturalists and support from Western Riverina Arts.

"Kids are naturally curious about birds and our conversations will expand their knowledge about local species."

Ms Roberts will also be working in the Gallery on Wednesdays throughout the exhibition to provide insight into how her artwork facilitates an innovative investigation of history.

Her artwork "Geo/graphology" uses the cut-up technique to gain a new perspective on text records and the landscape.

"I'm using the Cut-up Technique, which was developed by Dadaists in the early 20th Century as a way of revealing themes and illustrating thought processes," said Ms Roberts.

"I am encouraging visitors at the exhibition to select text isolated from documents about the Riverina, then placing these snippets onto a map of the region to develop a new understanding of established narratives."

Ms Roberts is one of a diverse cohort of exhibiting artists working in various media to reflect relationships with the landscape.

The group have been sharing insights between emerging and established artists as part of an informal development project that included a workshop supported by the NSW Government through Create NSW and Western Riverina Arts.

The Ngurambang exhibition runs from Saturday 1 July until Sunday 20 August with Jo Roberts attending the Gallery on Wednesdays to share her art practice and knowledge of local ecology.

  • Explore Beak Technique from 11am to noon on Wednesday 5 and 12 July
  • Learn how the Cut-up Technique investigates history on Wednesdays from 5 July to 16 August

See the light in the land

The Ngurambang: Our Riverina exhibition aims to give viewers new perspectives on the landscape and to demonstrate some of the diversity of talent from creative practitioners working across the region

Griffith Regional Art Gallery worked with curator Jason Richardson to gather a group of artists from across the region for the current display.

"Viewers will find familiar scenes and they will also be challenged to recognise others.

"One of the greatest benefits in experiencing art is looking through another's eyes and this exhibition asked the artists to share their observations about an environment we all share.

The result offers insights into the diversity of creative practice across the Riverina while reflecting on individual interests in the landscape.

"The idea that art can help audiences build connections with the environment has been developing since I worked with Landcare and it's something I've explored through previous exhibitions, our not-for-profit Red Earth Ecology and also recorded interviews with artists and places," said Mr Richardson.

This diverse cohort produces artworks in differing styles and media to reflect their experiences, so the first step involved establishing common ground.

"We were supported by Western Riverina Arts to hold a workshop in Griffith late last year, where we compared perspectives and inspirations.

"The group comprises a dozen emerging, mid-career and experienced artists with various qualifications and we were able to share knowledge and build a vision for the exhibition."

For viewers the experience is rich with comparisons and contrasts from a variety of media that includes text, textiles, sound, painting, photography, found and manipulated objects.

"It was always going to be really exciting to see so many of my favourite artists in one place, so the workshop gave everyone a chance to meet and establish some rapport before they began jostling for space."

One of the first outcomes was that the working title of the exhibition was adjusted to reflect the traditional custodians of the land and waters.

"Pete Ingram's welded art practice is informed by Wiradjuri culture and it was his suggestion for Ngurambang to be part of the title, and we all agreed on the beauty of Wiradjuri Country and reflected on the impact of their management over many millennia.

"I recently learned the word "Ngura" means campfire and the addition of "bang" in Ngurambang intensifies that meaning to convey the notion of Country," explained Jason Richardson.

"Another of the artists is Associate Professor Christopher Orchard, who's investigations of the landscape have been a subject of postgraduate studies; and he shared that the intense campfire evoked in Ngurambang is not superficially a home/house or campfire, but home with all of its relationships.

"It's that idea of exploring the relationship to their landscape that's been driving me to seek collaborations with these artists.

"In sharing their Riverina-based practices they are bringing light from their studios that reveals new details in the landscape."

One of the first artists recruited was Christopher Haworth from Talimba, whose en plein air paintings soak up the dust as he records remnant bushland.

Leeton-based artist Jo Roberts brings a new perspective to local history with her use of a Dadaist technique that cuts and reassembles text.

Dr Greg Pritchard has been a prominent advocate for the arts in the region and he shares a project to record the length of the Murrumbidgee River, which has been developing and was part of an exhibition in Canberra last year.

"Marita Macklin's embroidery skills are blossoming and there will be much more to see from local names as well.

"I feel it is important to help connect people with the environment for the demonstrated benefits to mental health and to educate about the distinct beauty of our region," said Jason Richardson.

"We are all part of the Country and our livelihoods depend on recognising our role to preserve it for future generations."

Ngurambang: Our Riverina is supported by Griffith Regional Art Gallery, Red Earth Ecology, Western Riverina Arts and Create NSW through funding from the NSW Government.