Julie Montgarrett at Wagga Art Gallery

Julie Montgarrett's exhibition at the Wagga Art Gallery has many beautiful pieces lurking in the semi-darkened room, including the piece that reminds me of passing cars that was at the Grong Grong Creative House in 2013.

Portrait by Jo

Review On Common Ground

Last October RealTime Arts asked I write about The Cad Factory's On Common Ground, an explosion of art in Narrandera's Common.

That review is now online and here are photos from the Saturday night performance of The Haunting and the sculptures on the Sunday. Please see the file names for artist and title details, cheers.

2015 on Bassling's Youtube



Excuse me but this is a quite a good collection of music videos, if I do write so myself. I'm pleased with the diversity of styles and instruments, as well as visuals since watching disembodied hands can start to feel a bit weird.

Not in my name

This haiku by Murakami Koji was shared by Naviar Records and was an opportunity to record a song I'd been thinking about since Easter.

The lyrics reflect on a sort of paternalism, linking the personal to the political:

When you see injustice
when you feel pain
when conflicted in a way
with feelings of shame

Don’t steal for me
Don’t kill for me
Not in my name

All it takes to acknowledge
and to step away
make it clear you are not at fault
take a step to clear your name

Don’t steal for me
Don’t kill for me
Not in my name

When your country claims a right
when your friend starts a fight
can not stand by unmoved
support inaction proves

Trans-Pacific Partnership favours US corporations

After years of secrecy Australians are now able to read the text for the Trans-Pacific Partnership (TPP) agreement. One of the key concerns for our democracy is the investor-state dispute settlement (ISDS) mechanisms, which allow our country to be sued for policies that harm foreign business interests.

Despite the claims of Andrew Robb, Minister for Trade and Investment, there is no exemption for public health from ISDS litigation. Article 9.15 of the investment chapter explicitly makes such matters dependent on their conformity with the TPP itself:
"Nothing in this Chapter shall be construed to prevent a Party from adopting, maintaining or enforcing any measure otherwise consistent with this Chapter that it considers appropriate to ensure that investment activity in its territory is undertaken in a manner sensitive to environmental, health or other regulatory objectives."
That is, unless Australian health regulations are consistent with the TPP, they can be subject to a lawsuit brought about by a multinational corporation under ISDS.

The result will be that corporations will pursue litigation and add to their statement of claims that the policy change they are seeking compensation for is inconsistent with the TPP.

Australian policy will be further limited by the annex on expropriation, meant as a guide to what can be the subject of ISDS processes:
"Non-discriminatory regulatory actions by a Party that are designed and applied to protect legitimate public welfare objectives, such as public health, safety and the environment, do not constitute indirect expropriations, except in rare circumstances."
The TPP is an assault on Australian democracy. Once again I ask that our local member Michael McCormack ensures that the Productivity Commission are able to review and report on the text of this agreement in advance of it becoming law.

Scenic view in Griffith

Griffith’s Scenic Hill is a patch of bushland elevated above the city.

On my first visit I saw the Hermit’s Cave where Valerio Ricetti retreated from a society that had left him disillusioned. Not much remains of his solitary settlement but a cave that smells faintly of urine and a view of acres of citrus as well as encroaching suburbia.

The next time I saw Scenic Hill was from the air. A myriad of reddish dirt tracks cut through dark, sparse bushland.

More recently I’ve begun to drive up the Hill a few times a week to my new workplace at Pioneer Park Museum. After driving much of the way between Leeton and Griffith at 100 kilometres an hour, the winding roads through Griffith feel sluggish at 50.

While the distance between the last house on the Hill and the Park near the top is short, it’s not uncommon to see a kangaroo.

After parking my car under a Grey Box tree, I walk through the large iron gates and past the various historic and recreated buildings I can see more Box and Cyprus Pine. My arrival at 8am means I am usually alone in the car park. It allows me to remain in my own thoughts but also to look around and appreciate the landscape.

A month or so ago there was a complex fragrance on the soft breeze. The sweet of the geraniums in the Park gardens but a spice like anise too. I was excited to find native flowers, a Chocolate Lily and an Austral Bluebell as well as many Sticky Everlasting Daisies. There were also many feral Poppies adding a different shade of green, contrasting on the red dirt.

At present the rains of a wet winter and a wetter than usual spring have given the understory of weeds below these native trees a similar shade of green to the kikuya grass on the lawn outside Myall Park Hall, where many local festive occasions are celebrated — including the popular salami festival.

Last Monday there was a beautiful mist hanging in the trees, either low cloud or evaporation as the sun beamed onto the soaked Box bark. The rains this week revealed new stones in the unsealed road around the Park, as well as shifting red dirt down them toward drainage points.

One of the joys of arriving to work is hearing the local birds singing their morning songs. As Griffith is about as far west as I’ve travelled in New South Wales, these songs are often unfamiliar. There’s one that rings one note like an old telephone, the usual excited chirps of Sparrows and the bullying chatter of Apostle Birds.

The other sound is the wind-powered water pump groaning with each rotation. It’s a sound heard in my dreams soon after starting work here a couple of months ago. Some days I hear it long after I’ve driven down the Hill and through Griffith toward the turn to Leeton. I catch the drawn-out squeak echoing in my subconscious and force myself to listen to the sound of the car until it disappears.

The Trans-Pacific Partnership is undemocratic

Seeing our local federal member promoting the value of the Trans-Pacific Partnership (TPP) raises the question why the text isn't available to the Australian public?

If it's so good for Australia, why has it been negotiated in secrecy -- unless you're a US corporation?

Australian politicians have only had access to a draft of the text if they sign a non-disclosure agreement. This is undemocratic in my opinion.

If Michael McCormack is so sure it's a good deal, how about he ensures the Productivity Commission are able to review the document in advance of it being voted on?

Those who watched as the US Free Trade Agreement was pushed through Parliament with undue haste will be watching to ensure the same process is not repeated. That agreement has been shown to have offered very little benefit to Australia.

Tricks and treats this Halloween

Leeton’s Lillypilly Winery is teaming up with local musician Jason Richardson to host a Halloween party from 7pm on Saturday 31 October.

“It’ll be fun for all ages with creative pursuits, music and a spooky story,” said Mr Richardson.

“Traditionally it’s the time of year when spirits visit our world and Lillypilly are very kindly offering a complementary wine tasting for visiting adults, which should help raise spirits.”

The event will provide a venue for people who want to dress-up to mark the occasion.

“As a parent I know how much kids want to get into a costume and roam the streets in search of sugar. It got me thinking that it would be much better to provide an event where families could gather and share the thrill.”

Entertainment will include stories, hands-on activities, a movie and more.

“In previous years I’ve screened a silent movie in town as well as projecting my music videos and the film for this event will bring together both, with a silent film suitable for kids that I’ve created a soundtrack from music written and recorded in the last year or so.”

‘The Lost World’ is a classic film from 1925 that is based on a novel by Sir Arthur Conan Doyle, better known for writing the Sherlock Holmes stories. It’s remarkable for being the first feature to use stop-motion animation, as well as being the first film to be shown to airline passengers.

“I’m also looking forward to telling people about the troll that once lived in Leeton,” said Mr Richardson. “It’s a little-known fact that he was directly responsible for the creation of Fivebough Wetland.”

Learn more at Lillypilly Winery from 7pm on 31 October.

Burroughs adding machine

Over a century ago Burroughs were the biggest name in 'adding machines'. These days they're better known for the grandson of their inventor, author William S. Burroughs, who was one of the most "culturally influential and innovative artists of the 20th century".

The family fortune ensured he received a Harvard education but activities like heroin and homosexuality led him to associate with Beat Generation writers and '60s counterculture, while collaborations with bands like Nirvana showed his continuing influence up to his death in 1997.

The 'cut-up' technique made popular by Burroughs remains potent, with musicians like Beck and Radiohead using it to great effect. Pretty cool story for a calculator, hey? Gave me a thrill when I found one at Griffith Pioneer Park Museum.

The media could not be played

Given the fractious relationship that the previous prime minister had with ABC journalists, it seemed somehow ironic to see this message as the new PM approaches the end of his 'honeymoon' period.

Weddings across time

This week Pioneer Park hosted a wedding and I also helped Heather Waide install a new exhibition in the Roundhouse that features a wedding dress made for Jessie Hogarth (nee Mather) in 1958.

Griffith seamstress Myrtle Crockford of La Vogue worked without a pattern to create the dress, based on a photograph Jessie had from a newspaper.

Heather has contributed many hours to Pioneer Park over the years, including restoring a number of dresses that feature in the National Dress Registry.

It's been great learning about their restoration and conservation from her.

Peanut butter and jam muffin

This muffin is reputedly free from gluten and tolerant to vegans, as well as being gluttony inducing. I've had three this morning.

Pioneer Park

Started my new role as Curator at Pioneer Park in Griffith this week.

It's a fascinating museum with a diverse collection, including dozens of historic buildings that allow you to literally step back in time and a number of dresses on a national register. There's also an array of agricultural machinery, which underscores the incredible effort that went into building the Murrumbidgee Irrigation Area.

The site also features trees with scars from indigenous pioneers, such as this outline of material that was probably taken to build a canoe.

When I first visited the Park I had mixed feelings about some of the replica buildings. On one hand I could see they showed a perspective on the past, but on the other it seemed inauthentic to present a scaled-down version.

Then I heard the story about the first building brought to the site when the Park was started in 1971. Ray Rathbone brought his grandfather's home from Victoria, which includes an in-ground pantry and other features from pre-Federation Australia.

The house was built in 1872 and, nearly a century later, was carefully deconstructed and shipped piece-by-piece to be reconstructed on the hill above Griffith.

Vandals burnt it to the ground.

I'd imagine the loss of the first building for a proposed museum was a major blow. Yet the pioneers of Pioneer Park were not deterred.

Using the detailed notes kept by the removalists, they recreated the homestead.

The result is a replica of an old home and I think the story illustrates how the tone was set for Pioneer Park's presentation of the past.

I think I'm going to enjoy exploring this history and sharing the stories I learn.

This is not the validation you are looking for


Sometimes I end up on social media writing shit for attention. Those times I with I'd thought longer about those words.

I like the idea that 'a friend's eye is a good mirror' but their Facebook wall is not.