This year I've resolved to write even more haiku.
Last year I challenged myself to write a 17-syllable poem each week and this year I'm aiming for one each day.
Mostly I like the challenge of phrasing an observation within the syllable constraint. It's a kind of journal, although it seems the small audience for my haiku are more interested in my grog reviews.
Last week I mentioned this haiku project in one of the online communities that I frequent and got this reply from Dennis Flax.
You can find my haiku here.
Showing posts with label wine. Show all posts
Showing posts with label wine. Show all posts
Christmas present
Here is a pic of mistletoe from the hopbush that's playing the role of Christmas tree for my household this year.
Below is an early present that my kids chose for me when they went into town to buy chickens for lunch tomorrow. Apparently the chilli sauces had numbers up to 15, when the size of the jar shrunk dramatically.
The kids tell me this chilli sauce has scorpion in it but I didn't see it listed on the ingredients. It's hot but not like eating a raw habanero off the plant, which isn't something I'd recommend.
I remember tears flowing as a result but the endorphin rush was pleasant.
P.S. On Christmas I got another bottle of wine from my out-laws. I drank one of these a few years ago and found it ready-to-drink then, so hopefully it's still got some spine.
Below is an early present that my kids chose for me when they went into town to buy chickens for lunch tomorrow. Apparently the chilli sauces had numbers up to 15, when the size of the jar shrunk dramatically.
The kids tell me this chilli sauce has scorpion in it but I didn't see it listed on the ingredients. It's hot but not like eating a raw habanero off the plant, which isn't something I'd recommend.
I remember tears flowing as a result but the endorphin rush was pleasant.
P.S. On Christmas I got another bottle of wine from my out-laws. I drank one of these a few years ago and found it ready-to-drink then, so hopefully it's still got some spine.
Labels:
wine
2002 was a good year
Been enjoying these cabernet and shiraz wines from Taminick Cellars, who are outside Glenrowan in Northern Victoria.
I've kept them in boxes and moved them between four houses in the last 13 years or so but they've still managed to throw a crust of sediment, just look at the dark line on the left-hand side of the bottle.
Also had a box of 2004 wines, which were much sweeter and matured earlier. The wines from 2002 still seem like they could mature longer but retain a fruit flavour that's hard to resist.
I'm also appreciating how little headache I get the following day.
I've kept them in boxes and moved them between four houses in the last 13 years or so but they've still managed to throw a crust of sediment, just look at the dark line on the left-hand side of the bottle.
Also had a box of 2004 wines, which were much sweeter and matured earlier. The wines from 2002 still seem like they could mature longer but retain a fruit flavour that's hard to resist.
I'm also appreciating how little headache I get the following day.
Labels:
wine
Pressing question solved
See this bottle of wine? You can tell from the crust near the neck that it's a good one and it's been cellared.
It's a 2004 Cabernet from Northern Victoria and, yeah. it's good but not as good as the 2002 I've also been drinking.
Anyway, I've been drinking these wines for around 12 years and occasionally wondered about the image on the label. I'd imagine they were exotic buildings, perhaps temples.
Then the other day I looked at this grape press at Pioneer Park and that exotic image vanished.
It's a 2004 Cabernet from Northern Victoria and, yeah. it's good but not as good as the 2002 I've also been drinking.
Anyway, I've been drinking these wines for around 12 years and occasionally wondered about the image on the label. I'd imagine they were exotic buildings, perhaps temples.
Then the other day I looked at this grape press at Pioneer Park and that exotic image vanished.
Labels:
Pioneer Park,
wine
Wine blending workshop at McWilliams



A few pics from my visit to McWilliams' Hanwood winery. I've been drinking their wines for years and was excited to visit the cellar where they store their aged semillon and shiraz, Elizabeth and Phillip.
They are one of a few wineries to offer wines that have been matured. Apparently 98% of wine bought is drunk within 24 hours, so McWilliams are offering a service in making cellared wines available. It takes time otherwise to get to experience the difference.
Winemaker Russell Cody shared his passion and skills, answering my questions and offering guidance in the wine-blending workshop. I'd been to one at Toorak Winery last year and, once again, concluded that maybe I should've stuck with shiraz rather than blending it with cabernet.
The shirazes showed an interesting variety: a big Barossa fruity explosion, a Heathcote with a metallic sparkle, then the pleasant Riverina I noted as 'prune' as well as an oaked version. In combination they kinda played out in that order on your tongue. The cabernet was from Coonawarra and was rich as expected, so I wanted that in the mix but in hindsight I should've pocketed it as it was good on it's own.
McWilliams' class was fun but seemed to skimp on materials. The refreshments particularly though I think they should've handed out palate wheels too. It was great to look around their facility, which can hold up to 50 million litres of wine. We also had a glass of their 13-year old port.
Labels:
wine
Quaffing pic
The Herald Sun ran a piece about Leeton and there's a pic of me, taken at the Toorak Winery Cab-Savvy Wine-blending Workshop last year.
It says the photo was supplied but I'm sure the journalist Chanal Parratt took it, as she was sitting opposite me and taking photos on the sly.
It says the photo was supplied but I'm sure the journalist Chanal Parratt took it, as she was sitting opposite me and taking photos on the sly.
Labels:
wine
Cab Savvy at Toorak Winery
Leeton's Toorak Winery held a very successful workshop on wine blending last weekend as part of the Taste Riverina food festival.
The photograph shown comes from the Toorak Winery Facebook page.
The wine blending workshop succeeded in revealing a lot of the skill in winemaking. As we experimented with identifying tastes and then combining them, there was ample time to ask questions about the process.
I really enjoy wine and have learned a lot from drinking with wine science students while living in Wagga. One lesson was that you learn more from opening a few bottles than you do from opening one bottle because the compare and contrast approach assists in identifying tastes. This was the first time I'd been able to try contrasting approaches using the same grapes. It was a revelation in how combining these flavours can promote or disguise characteristics.
Drinking with wine scientists also taught me the importance of spitting out. It's good to remember when sampling around a dozen wines within a few hours around the middle of the day. Before we started comparing blends, Robert Bruno led a tour around his family winery, identifying the differences in producing white and red wines as well as the mechanical and chemical processes involved in producing 3.4 million litres of wine largely within a few months each year.
A vertical tasting of the premier brand Willandra Shiraz gave a sense how ageing changes wine, as well as the subtle berry bouquet of their double gold medal-winning 2006 release. It was so good I didn't want to spit it out, I wanted it to be part of me. Toorak Wines have won over international wine show judges and overseas suppliers with their European approach. The flavours are more integrated and less like your stereotypical Australian wine. It's not the brash and bold sorta thing I normally drink, so the whole event made me feel incredibly sophisticated.
Winemaker Martin Wozniak poured glasses of the shiraz currently maturing, different batches from the same harvest that illustrated some of the scope of his job. My tasting notes for these four glasses could describe four different wines and, in a sense, they do. These different flavours have been exaggerated and shaped into a palatte from which they will find complementary and contrasting shades to colour releases for a vintage. The key constraint that wine must be made from grapes ensures no one gets too crazy with the contents of our bottles but it's this sense of working with what you've got that's really appealing about winemaking. The problem-solving required as well as the chemistry to produce a sensuous product like wine makes it an art.
After lunch we began the process of settling on our blends. Using two shiraz batches and a cabernet sauvignon that the winemakers thought they'd most likely be selling unblended, we once again found contrasting flavours.
My initial attempt was to combine the shiraz whose eucalyptus note I liked with the tree fruit-flavour of the cabernet and the result was underwhelming. My second attempt favoured the shiraz again while introducing smaller amounts of the cabernet and the second shiraz. It was another revelation. The flavours seemed to rearrange themselves on my palate. The coppery note that had left a bad taste in my mouth in the second, rougher shiraz now carried a tannin finish after the wine had departed.
Examples of different oak treatments illustrated the knockout vanilla taste of American wood versus the restrained French equivalent. A couple of Hungarian alternatives were subtler and different again. This demonstration lead to discussion of the oak treatment already employed on two of the three wines we were blending.The shiraz I called rough I learned hadn't had this process.
When Robert asked if anyone was ready to blend their bottle I raised my hand. To keep the measurements easy to scale he made more than what was required and I was stoked to hear people sampling my blend making appreciative comments. We each had different approaches and it was fascinating to taste and discuss how small increments in the ratios were noticeable in our mouths.
This wine blending class wasn't something I'd seen promoted before and in the local paper the winery are quoted as saying they're thinking of running it again next June. If you like wine there's a lot to learn about the science and artistry as well as a very satisfactory feeling to be gained blending your own bottle. Highly recommended.
The photograph shown comes from the Toorak Winery Facebook page.
The wine blending workshop succeeded in revealing a lot of the skill in winemaking. As we experimented with identifying tastes and then combining them, there was ample time to ask questions about the process.
I really enjoy wine and have learned a lot from drinking with wine science students while living in Wagga. One lesson was that you learn more from opening a few bottles than you do from opening one bottle because the compare and contrast approach assists in identifying tastes. This was the first time I'd been able to try contrasting approaches using the same grapes. It was a revelation in how combining these flavours can promote or disguise characteristics.
Drinking with wine scientists also taught me the importance of spitting out. It's good to remember when sampling around a dozen wines within a few hours around the middle of the day. Before we started comparing blends, Robert Bruno led a tour around his family winery, identifying the differences in producing white and red wines as well as the mechanical and chemical processes involved in producing 3.4 million litres of wine largely within a few months each year.
A vertical tasting of the premier brand Willandra Shiraz gave a sense how ageing changes wine, as well as the subtle berry bouquet of their double gold medal-winning 2006 release. It was so good I didn't want to spit it out, I wanted it to be part of me. Toorak Wines have won over international wine show judges and overseas suppliers with their European approach. The flavours are more integrated and less like your stereotypical Australian wine. It's not the brash and bold sorta thing I normally drink, so the whole event made me feel incredibly sophisticated.
Winemaker Martin Wozniak poured glasses of the shiraz currently maturing, different batches from the same harvest that illustrated some of the scope of his job. My tasting notes for these four glasses could describe four different wines and, in a sense, they do. These different flavours have been exaggerated and shaped into a palatte from which they will find complementary and contrasting shades to colour releases for a vintage. The key constraint that wine must be made from grapes ensures no one gets too crazy with the contents of our bottles but it's this sense of working with what you've got that's really appealing about winemaking. The problem-solving required as well as the chemistry to produce a sensuous product like wine makes it an art.
After lunch we began the process of settling on our blends. Using two shiraz batches and a cabernet sauvignon that the winemakers thought they'd most likely be selling unblended, we once again found contrasting flavours.
My initial attempt was to combine the shiraz whose eucalyptus note I liked with the tree fruit-flavour of the cabernet and the result was underwhelming. My second attempt favoured the shiraz again while introducing smaller amounts of the cabernet and the second shiraz. It was another revelation. The flavours seemed to rearrange themselves on my palate. The coppery note that had left a bad taste in my mouth in the second, rougher shiraz now carried a tannin finish after the wine had departed.
Examples of different oak treatments illustrated the knockout vanilla taste of American wood versus the restrained French equivalent. A couple of Hungarian alternatives were subtler and different again. This demonstration lead to discussion of the oak treatment already employed on two of the three wines we were blending.The shiraz I called rough I learned hadn't had this process.
When Robert asked if anyone was ready to blend their bottle I raised my hand. To keep the measurements easy to scale he made more than what was required and I was stoked to hear people sampling my blend making appreciative comments. We each had different approaches and it was fascinating to taste and discuss how small increments in the ratios were noticeable in our mouths.
This wine blending class wasn't something I'd seen promoted before and in the local paper the winery are quoted as saying they're thinking of running it again next June. If you like wine there's a lot to learn about the science and artistry as well as a very satisfactory feeling to be gained blending your own bottle. Highly recommended.
Labels:
random review,
wine
The Blue Nun in Piskor's Wizzywig

Labels:
wine
March into the archives : wine appreciation


Two images from Charles Sturt University's Bathurst Campus about six years ago. These days I reckon the students can afford wine in bottles.
Labels:
observation,
wine
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