Warangesda details the history of the Mission at Darlington Point with responses from local artists, including AMS Woman Group’s artwork Murrumbidgee Yellow Belly, Treahna Hamm’s Murrumbidgee Yabby and Rodney Simpson’s Greed all shown and all created this year for the exhibition.
This Mission was significant for maintaining Wiradjuri in the region, first as a Christian mission and then an Aboriginal station:
The historic Aboriginal occupation of Warangesda was characterised by a relatively self sufficient Aboriginal community that participated in the economic maintenance of the wider community by the provision of labour to local agriculture. The people also maintained a culturally distinct Aboriginal lifestyle firmly based on the maintenance of family connections over the wider region.
Warangesda is rare in that it is one of only 10 missions established in NSW. It is unique in NSW, as it is the only mission or reserve site in NSW to retain a suite of original 19th century building ruins and archaeological relics.
The place is significant for its association with the last great inter-group burbung (initiation) in Wiradjuri country which was held at or near Warangesda in the 1870s.
Peter Kabaila is a historian who's written on this area in various publications and has provided the text for the informative panels. His honours thesis was an archeological survey of the Mission site and many of the artifacts he found are now in the collection at Griffith Pioneer Park Museum.
The Warangesda exhibition was an opportunity for me to develop my skills "hanging" the show. I'd been fortunate to get a role working alongside Ray from Griffith Regional Art Gallery and Hape Kiddle, as well as Derek and Liana from Western Riverina Arts.
This experience was rewarding and I was encouraged to contribute ideas, which flowed freely after my initial suggestion to place on the floor the modesty screens that had been decorated with Warangesda history through a project run by Kerri Weymouth.